The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced from ‘The orchard and the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced from ‘The orchard and the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced from ‘The orchard and the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced from ‘The orchard and the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen

A wonderfully expressive collection of woven linen, cotton and wool blends, in an array of nature’s hues, textures and weights. Our Cloth 22 weaves are evocative of the great outdoors on the North American continent. Grand Teton. A speckled weave in colours suggestive of the Aspens and granite rocks, coming to life in the mountains ranges. Composition: 70% Linen, 30% Wool

A wonderfully expressive collection of woven linen, cotton and wool blends, in an array of nature’s hues, textures and weights. Our Cloth 22 weaves are evocative of the great outdoors on the North American continent. Grand Teton. A speckled weave in colours suggestive of the Aspens and granite rocks, coming to life in the mountains ranges. Composition: 70% Linen, 30% Wool

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced from ‘The orchard and the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced from ‘The orchard and the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced from ‘The orchard and the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced from ‘The orchard and the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced from ‘The orchard and the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced from ‘The orchard and the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced from ‘The orchard and the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen

Our in-house exclusive collection of three geometric inspired prints in pastel prints on a fine, natural linen base. Composition: 100% Linen

Our in-house exclusive collection of three geometric inspired prints in pastel prints on a fine, natural linen base. Composition: 100% Linen

Our in-house exclusive collection of three geometric inspired prints in pastel prints on a fine, natural linen base. Composition: 100% Linen

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced from ‘The orchard and the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced from ‘The orchard and the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen

Sustainable and innovative eco velvet fabric collection woven with recycled polyester in the pile, removing 10 large plastic bottles from the environment for every metre woven. This soft, luxurious velvet in sumptuous warm tones, is stain-resistant and fully washable. Composition: 60% Recycled Polyester, 28% Polyester, 8% Acrylic, 4% Viscose with SR finish

A timeless and unfussy printed stripe collection in multiple designs & colourways. Smart bold broad stripes with thin stripe either side reminiscent of vintage deck chairs and a mid candy stripe design to complement larger patterns and bold florals, or to coordinate with other stripes. Composition: 88% Cotton 12% Polyester

A wonderfully expressive collection of woven linen, cotton and wool blends, in an array of nature’s hues, textures and weights. Our Cloth 22 weaves are evocative of the great outdoors on the North American continent. North Cascades. A decorative small horizontal woven zigzag linen stripe, in earthy, muted colours, reminiscent of the conifer-clad wildernesses and the deep blue glaciers in the northern States. Composition: 100% Linen

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced from ‘The orchard and the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced from ‘The orchard and the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced from ‘The orchard and the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced from ‘The orchard and the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced from ‘The orchard and the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced from ‘The orchard and the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced from ‘The orchard and the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced from ‘The orchard and the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced from ‘The orchard and the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced from ‘The orchard and the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced from ‘The orchard and the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced from ‘The orchard and the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced from ‘The orchard and the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen

A timeless and unfussy printed stripe collection in multiple designs & colourways. Smart bold broad stripes with thin stripe either side reminiscent of vintage deck chairs and a mid candy stripe design to complement larger patterns and bold florals, or to coordinate with other stripes. Composition: 88% Cotton 12% Polyester

Our in-house exclusive collection of three geometric inspired prints in pastel prints on a fine, natural linen base. Composition: 100% Linen